-
Lorem Ipsum is simply dummy text
At one point in Murugadoss’ ambitious Deepavali release 7Aam Arivu, Suriya and Shruti Haasan get into an autorickshaw in Chennai and the driv...
-
Lorem Ipsum is simply dummy text
At one point in Murugadoss’ ambitious Deepavali release 7Aam Arivu, Suriya and Shruti Haasan get into an autorickshaw in Chennai and the dr...
-
Lorem Ipsum is simply dummy text
At one point in Murugadoss’ ambitious Deepavali release 7Aam Arivu, Suriya and Shruti Haasan get into an autorickshaw in Chennai and the dr...
-
Lorem Ipsum is simply dummy text
At one point in Murugadoss’ ambitious Deepavali release 7Aam Arivu, Suriya and Shruti Haasan get into an autorickshaw in Chennai and the dr...
-
Lorem Ipsum is simply dummy text
At one point in Murugadoss’ ambitious Deepavali release 7Aam Arivu, Suriya and Shruti Haasan get into an autorickshaw in Chennai and the dr...
-
Lorem Ipsum is simply dummy text
At one point in Murugadoss’ ambitious Deepavali release 7Aam Arivu, Suriya and Shruti Haasan get into an autorickshaw in Chennai and the dr...
FANS CORNER
At one point in Murugadoss’ ambitious Deepavali release 7Aam Arivu, Suriya and Shruti Haasan get into an autorickshaw in Chennai and the driver does the unthinkable. He flicks down the meter. In Chennai. An auto driver. It is at this point that you realise that Murugadoss is operating in the realm of pure fantasy. In terms of plotline, it is fantastic but is let down by poor execution. What could have been a great action thriller is reduced to a preachy, turgid, bloated bore in Murugadoss’ incapable hands. Perhaps it is because he didn’t have a storyline to borrow from as he did with Christopher and Jonathan Nolan’s Memento script for Ghajini.
KERALA FANS
At one point in Murugadoss’ ambitious Deepavali release 7Aam Arivu, Suriya and Shruti Haasan get into an autorickshaw in Chennai and the driver does the unthinkable. He flicks down the meter. In Chennai. An auto driver. It is at this point that you realise that Murugadoss is operating in the realm of pure fantasy. In terms of plotline, it is fantastic but is let down by poor execution. What could have been a great action thriller is reduced to a preachy, turgid, bloated bore in Murugadoss’ incapable hands. Perhaps it is because he didn’t have a storyline to borrow from as he did with Christopher and Jonathan Nolan’s Memento script for Ghajini.
CHENNAI FANS
At one point in Murugadoss’ ambitious Deepavali release 7Aam Arivu, Suriya and Shruti Haasan get into an autorickshaw in Chennai and the driver does the unthinkable. He flicks down the meter. In Chennai. An auto driver. It is at this point that you realise that Murugadoss is operating in the realm of pure fantasy. In terms of plotline, it is fantastic but is let down by poor execution. What could have been a great action thriller is reduced to a preachy, turgid, bloated bore in Murugadoss’ incapable hands. Perhaps it is because he didn’t have a storyline to borrow from as he did with Christopher and Jonathan Nolan’s Memento script for Ghajini.











